Charles Bethea

Artist Statement: For this assignment I chose to explore themes of nature and surrealism. When conducting my research I chose to attempt to camoflague the model with the surronding setting. I purposely wrapped the torso and legs of the model tightly to symbolize a strong foundation, much like the roots of a plant. The tightly wrapped torso leads to a free flowing material that is meant to depict certain aspects of nature. I chose to leave the feet unwrapped to add a human aspect to the photo and was pleasently surprised with the outcome. My underlying theme of this assignment was to show that it is important  to recognize our roots in order to grow.

 

 

  "Oni", Charcoal, 9" x 12" Quote: "Ultimately, tattoos make unique the surface of one's self, embodies one's secret dreams, adorn with magic emblems the Altamira of the flesh."  - A Natural History of the Senses, Diane Ackerman Statement: Tattooing is undoubtedly one of the most interesting and ancients forms of skin-deforming arts. The art of tattooi ng grew fast in popularity in the underworld of Japan and is seen as a form of self-expression. The Japanese tattoo is called "irezumi" and in this piece, I attempted to recreate a popular tattoo, the Oni mask. This is a supernatural ogre and represents a  symbol of protection for those who believe in the spiritual world. Ultimentiamely the ancient art of tattooing is best described by a quote from Sandi Fellman, "beauty created through brutal means," "power bestowed at the price of submission," "the glorification of flesh as a means to spirituality." Seeing In